Matthew
martin
“The music-making is top-notch.”
Michael Haydn: Requiem Pro defuncto Archiepiscopo Sigismundo & Missa Sancti Hieronymi
Led by its Director Matthew Martin, The Choir of Gonville & Caius College, Cambridge, joins forces with the Academy of Ancient Music in Michael Haydn’s rarely heard masterpieces: the Requiem and Missa Sancti Hieronymi.
Unjustly neglected, Joseph Haydn’s younger brother was a powerful influence on the young Mozart. The Requiem is a masterpiece that combines complex colourful textures and forms with imaginative orchestration and vocal writing. It is thought that Haydn's Requiem formed the prototype for Mozart's own better known masterpiece. In contrast, the later Missa Sancti Hieronymi is lighter and more optimistic. Unusually scored for oboes, bassoons, trombones and continuo (with no upper strings), it exudes transparency and joyful energy. This recording will undoubtedly put these neglected works back into mainstream repertoire and showcase the venerable choral tradition at Caius College.
Matthew Martin: Prelude and Fugue
Organ of St Albans Cathedral
Commissioned by The Guards’ Chapel Trust and first performed by Martin Ford at the inaugural recital for the new Harrison & Harrison organ, 5th September 2024.
This Prelude and Fugue is written with classical principles in mind. The Prelude is light and transparent, influenced to an extent by some of the preludes in Das wohltemperierte Klavier. The Fugue starts with a strict exposition, and works through techniques such as inversion and stretto into a thrilling Dupré-style climax in F sharp major.